An American Summer is one of the more recent books by Alex Kotlowitz, and to be honest, I am not sure whether it makes sense to anybody who did not read any of his books before, or didn’t see any of his documentaries.
I first learned about Kotlowitz when the Interruptors documentary was released. At that time, I was already quite involved in homeless charities, and I knew quite a bit about Chicago schools and existing issues. It just happened that I got tickets for Igor and myself to “Chicago Live!” where the first episode was the meeting with the “Interrupters” team. After the show, we talked to Alex Kotlowitz, the film director Steve James, and with amazing Ameena Matthews. And then we went to see the screening of the movie in the Siskel center, and there was more conversation there. In shots, for me, there is a history behind that book.
This book is just a collection of episodes. No plot. No conclusions. No judgment. But still, it shows, very painfully, how difficult it is to get out of poverty and violence. And how easy it is to fall back. Story after story, different people, the same scenario.
Yesterday, I watched a documentary, “I wish I knew.”
Widely considered China’s most important contemporary filmmaker, Jia (STILL LIFE, ASH IS PUREST WHITE) focuses on the city of Shanghai in this ambitious documentary, never before released in the US The city’s present in captured in stunningly composed widescreen images that emphasize the juxtaposition of decay and progress, often incorporating the hazy expanse of the Yangtze River. The past is explored through interviews with the survivors of such upheavals as the Civil War and the Cultural Revolution, their stories often marked by violent death and exile (the latter subject occasioning side-trips to Taiwan and Hong Kong). As in his other major documentary 24 CITY, Jia blurs the line between fact and fiction, with his muse Zhao Tao serving as a recurrent presence wandering through the city. In its latter stages, much of the film concerns China’s cinematic past, with excerpts and interviews (including Hou Hsiao-hsien) evoking the often contentious relationship between art and politics. In Mandarin with English subtitles. New DCP digital widescreen restoration. (MR)
Siskel Center website
I found this documentary to be very depressing, although Igor disagrees with me. The filmmaker’s work is outstanding, but it shows China not how we are used to seeing it. In this “mixture of decay and progress,” we are not really used to the “decay” part.
For me, there were too many allusions to the history of the Soviet Union, both in the excerpts from the propaganda movies and the specific language, the way of saying things by survivors/witnesses.
Also, I was thinking about the Soviet documentaries from the time we were not friends with China. At that time, the Soviet correspondents would search for Chinese dissidents, and film interviews with them (half-face covered by black stripe). And these dissidents were saying, how things were horrible in China: hunger, shortage of everything, no freedom of speech… how ironic! I’ve already mentioned some other Soviet documentaries when they would interview people in England or the US during the 1970s economic crisis. The funny thing – is was all true! The workers would emotionally tell how prices are up every day and how their salaries are not matching up… You do not need to photoshop the reality, you do not even need to cut and paste the pieces of film, it’s all in the commentary on the background…
Just watched it in the Siskel Center. I’ve not been to the movies for all these past two crazy months. What a movie! I was holding my breath for all two hours, and I am still shaking. What a brilliant film! From the very first to the very last second!
I am posting an official trailer, although as somebody from audience mentioned when leaving the theater, it goes not tell how awesome the movie is.
Igor could not come with me today, and I was not sure whether I want to go by myself – I am so glad I did! There as a huge line, and the theater was packed, but fortunately not sold out. Maybe it just resonates with my current state of mind, but… WOW!
In 1971 my Mom bought a movie camera and started making home movies. We both enjoyed the process a lot. She soon acquired a magnetic board with letters, and we began to add captions to the films.
I do not remember what happened to the movie projector, but it disappeared a long time ago, and I was wondering whether I will ever be able to watch these movies again. Fortunately, nowadays, many companies can digitize your old movies, and several years ago, I sent the first two reels to convert them to mp4. I liked the result, and now that Mom brought several more back, I finally sent them to the same company, and I liked the results even more.
Today, I am posting the first reel, which covers the time from early spring early summer 1971.
Apparently, if I spent enough time, I should be able to add captions to this movie, but I do not have time neither now, nor in the next several years, so let me just briefly mention what it is about.
The title says “Lialia’s school break.” Lialia was my nickname, and a break was a spring break in the first grade. Everything was filmed in Saint-Petersburg (back then – Leningrad) and near suburbs.
By episode:
I play with a big doll, which could “walk,” when you hold her by the hand. Her name was Walking Nina.
I am walking around in the city center, close to the Church on Blood, not restored yet back then.
In the Zoo
In the courtyard of my home, playing “classes” on the asphalt.
A canary named Solka. That was an amazing story – one cold November night, he flew inside our apartment when my aunt opened a window leaf for a minute. We tried to find out whether he was a runaway but didn’t succeed. Then we had to buy a cage and some books about canary care:).
Waking at the Strelka – the edge of Vassilievski Island, then on the roof of the Peter-and-Paul Fortress, and then inside the fortress. Then I take a camera and record Mom.
At Strelna, a near suburb. We are there with Mom and Grandpa Fedia, and it’s hilarious how he is trying to help me to climb on a tree, and then helps me to get off, and this all happens three times in a row.
Walking along the Neva River, and then taking a trip on a small boat
In the Alexandrovskiy Park, close to the St. Isaac Cathedral, and by the river again.
Later in spring. Since we see balloons, it should be May 1 or May 2 – we didn’t have balloons on regular days, only for big holidays, and May Day was one of the occasions when kids got balloons. Mom is filming, and I am there together with Mom’s friend Alla and her twin daughters Sveta and Lera. They were three or four years older than me. As a prank, we attach our balloons to the teeth of one of the Griffons on the Neva embankment.
All of us are back to my house, and we play with a collie puppy in the courtyard (he is not my dog, somebody else’s).
Later in spring, probably mid – May. Mom and I are in Central Recreational Park. First, everybody is casing a squirrel – they are unseen in the city.
Then – intensive rope-jumping:)
We are visiting an exhibit, which is called “Made in Poland.”
My historical posts are being published in random order. Please refer to the page Hettie’s timeline to find where exactly each post belongs, and what was before and after.
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