Canceled Performance

Today, Igor. mom and I were going to see an outdoor performance of the Goodman Theater new production Speak Out! And we went, only to find out about the last-minute cancellation, and it was a long trip for us from Palatine to Portage Park.

One of the performers was tested positive, and they suspended all performances until everybody would get tested and receive results. Which is the right thing to do, but why in the world they didn’t notify us?! Although the performances are free, they asked people to sign-up for email updates, just in case. And that was the case! Also, they didn’t have any updates on the theater webpage, only on their Facebook page.Total wasted time – almost two and a half hours.And that’s me trying to take a break from my two weeks non-stop work + book marathon. I could do something more productive at that time…

Goodman Theater: Roe

Today, Igor, Mom, and I went to see a new play “Roe” in Goodman Theater, and it was so powerful! Everything: the play itself, the performance, staging, actors – everything was excellent, and the content is mind-blowing.

As you can guess from the title, the play is about Roe vs. Wade. To be more precise – it tells the actual story of the case, told separately by two women: attorney Sarah Weddington and plaintiff Norma McCorvey (Jane Roe). 

Turned out, I knew nothing about the story. Yes, I heard that “Jane Roe” ended up speaking against the Roe-v-Wade amendment, but I knew nothing about her as a person, about her story, her circumstances. To put it bluntly, she was misled by two young attorneys, who made her believe she will be able to have an abortion, which was not going to happen. She was designated to suffer “for the sake of future generations of women.” Which leaves the audience with an eternal question – can good cause justify all means? 

That’s exactly what I said after the show, at “Drinks and Discussion” after-show event. The even was full, and all the participants had chance to share their thoughts and to talk to the actors.

The play is incredibly deep and moving. It gives voices to the people from all sides, and it does not provide an out-of-the-box answer. I highly recommend it, o matter what your political affiliation is and what your believes are. It runs for three more weeks!

Watching The “Music Man”

On Saturday, I was at Goodman’s performance of the “Music Man.” I have a “Whenever Goodman” subscription, which means that I could choose which shows I will be attending, and how many tickets I will allocate for each. I knew that the last play of the season would be the “Music Man,” so I’ve saved the last four tickets for it, not even knowing whom I will invite.

Continue reading “Watching The “Music Man””

About The Play I Saw Today

I like the Silk Road Rising theater a lot. I’ve been coming to their performances almost since they were founded, and I find most of the plays they stage quite exciting. When I’ve received their newsletter where they announced the short festival of the staged readings of the plays from the former Soviet Middle Asia republics, I immediately started to contemplate, who I can see them all.

This plan appeared to be impossible, for a simple reason that I have other things to do as well, but I still wanted to see some of them. So today Igor and I went to see “Uzbek, ” and I am keeping thinking about what I saw.

It is a great play, and in my opinion, it touches the topics which are very relevant to Russian society these days. However, both Igor and I feel that there was not enough context for the part of the audience, which is not very familiar with the subject of the play.

During the after-show conversation, one of the Russian playwriters said, that this play is supposed to be “hilarious,” which is true, but only if one can understand the cultural references, can figure out, which statements are an exaggeration, which are sarcastic and which are satirical. And if you have no idea, how things look in reality, you can’t appreciate the author’s reference points. For example, if you are unfamiliar with the ways of Russian bureaucracy, you can’t see the point of comparing it to the Uzbek bureaucracy. If you do not know anything about different socioeconomic groups in nowadays Russia, you can’t detect the origin of the person by listening to his alternated speech.

Now that I’ve thought about this play for some time, I do not think that all the jokes are so funny, even if (or precisely because of that) you know the context.

Several people talked to us after this conversation was over, and they were saying that they were going to ask the same context question and that they agree with me.

The reason why I react at this with such a fuss is that that’s precisely how the myths are being born, and precisely the reason I am so articulate in my posts about the Soviet and Russian history, describing all ifs and why.

Sometimes Russian actors, singers, and playwriters are going on the international tours to cater exclusively to the immigrant audience, and there is nothing wrong about it if that’s all they plan. However, I think this specific play can potentially bring a lot of value in the understanding of the current situation in Russia by the America audience if accompanied by more details about the setup and cultural and historical context.