Category: events

The Art Of The Benshi In Siskel

OMG, what I’ve just experienced! I am so glad that I had this opportunity! The Siskel Film Center hosted the Art of Benshi world tour; there were only two performances in Chicago (and the program was different on both days). Somehow, I managed not to miss an email when they announced these performances and got tickets for Igor and myself (and both shows were sold out!).
I never knew about benshi! You know how, at the dawn of cinematography, there was a pianist (or even a small orchestra) playing during silent movies? Well, in Japan, they not only had an orchestra but also a narrator, who gave a whole dramatic performance following the actions on the screen. That is the art of benshi, and that’s what we have experienced today!
I suspect even my Japanese friend will be jealous when she sees today’s program! And since I am afraid it will be removed from the Siskel Center website very soon, I am copy-pasting the program description here.

SANJI GOTO—THE JAPANESE ENOCH ARDEN (NARIKIN)
1918, dirs. Harry Williams, Kisaburo Kurihara
Japan, 35 min. 
Silent / Format: Digital 
Billed as the “the first ever Japanese production of its kind,” SANJI GOTO holds a fascinating place in international film history. After training as an actor with Thomas Ince, director Kisaburo “Thomas” Kurihara returned to Japan to make films to export to the US beginning with this slapstick comedy. Iwajiro Nakajima, “the Japanese Charlie Chaplin,” stars as a guileless janitor who journeys to the States on the chance of inheriting a fortune. Sadly, the film survives only as a fragment. Exhibition materials courtesy of the National Film Archive of Japan. Performed by Hideyuki Yamashiro. 

JIRAIYA THE HERO (GÔKETSU JIRAIYA)
1921, dir. Shozo Makino
Japan, 21 min. 
Silent, intertitles in Japanese with English subtitles / Format: Digital
The first star of the Japanese screen, Matsunosuke Onoe plays the title character, a shape-shifting ninja who battles his enemies with an arsenal of magic, which includes transforming himself into a giant toad. Based on a famous folktale, JIRAIYA THE HERO was one of Japan’s earliest “trick films” and survives today as a fragment featuring a series of loosely connected fight scenes. Exhibition materials courtesy of the National Film Archive of Japan. Performed by Ichiro Kataoka, Kumiko Omori, and Hideyuki Yamashiro. 

OUR PET
1924, dir. Herman C. Raymaker
USA, 11 min. 
Silent, intertitles in Japanese with English subtitles / Format: Digital 
Diana Serra Cary, better known by her screen name Baby Peggy, was only 19 months old when director Fred Fishback cast her in a series of comedy shorts in 1921 alongside Brownie the Wonder Dog. By the following year, she was one of the biggest child stars in the world. In OUR PET, discovered at auction in 2016 by master benshi Ichiro Kataoka, Peggy is awakened from sleep by a series of burglars who quickly find themselves in over their heads, Home Alone–style. Performed by Kumiko Omori. 

A PAGE OF MADNESS (KURUTTA IPPEIJI)
1926, dir. Teinosuke Kinugasa
Japan, 70 min. 
Silent, intertitles in Japanese with English subtitles / Format: Digital 
With a scenario devised by Japanese novelist (and later Nobel Prize winner) Yasunari Kawabata with contributions from other members of the radical literary movement known as Shinkankakuha, director Teinosuke Kinugasa crafted this visionary masterpiece that was thought lost for almost 50 years. Wracked with guilt, believing his wanton cruelty drove his wife insane, a husband becomes a janitor at the asylum where she’s incarcerated so he can care for her. When he comes to fear her illness may prevent their daughter from getting married, he gradually loses his own grip on reality. Replete with fantastical images, super impositions, and rapid montage, the film subverts any sense of narrative coherence even as Kinugasa builds, according to critic Chris Fujiwara, “an atmosphere of astonishing intensity.” Performed by Ichiro Kataoka. 

The first free films are amazing, but the last one, “A Page of Madness,” was beyond amazing! I still can’t believe that it was filmed a hundred years ago! It’s of a Tarkovsky level, if not above! I am speechless! And very thankful 🙂

Theo: A Tribute To Sondheim

I finally found clips from yesterday’s performance!

Elijah At CSO

On Thursday, I went to listen to Mendelssohn’s Elijah in the CSO: I needed to replace two matinee concerts for which I was going to take my mom and which I couldn’t make because of my schedule changes. I hadn’t heard Elijah before and was slightly unsure how the two-and-a-half hours of oratorio would go with my mom (and with me, for that matter).

And it turned out to be two-and-a-half hours of such joy that it was almost difficult to keep being joyful 🙂

Mom loved it and said that she never thought Mendelssohn would write something like that :). As usual, she did find things to complain about, but that was minor.

The CSO has an Instagram post about this concert; you can scroll to see the pictures of the singers, but unfortunately, you can’t hear them. I didn’t find any recordings with this particular cast; if I will find it, I will add a link here.

I wondered why it was performed in English, and then I learned that its premier was in English and that there were both English and German versions from the start.

After a questionable Aida last week, it was such a delight! The impeccable voices, the moving music, and all the performers united by the great masterpiece – it couldn’t be better!

Aida At Lyric

That was one of the most anticipated operas of the season for me, and I didn’t like it. My neighbor with whom we share this subscription just returned from a two-week trip to Egypt, and even before we went, she told me that she read “horrible reviews” about this production.

I do not mind the modernization of the classic (I enjoyed Penelopiad at Goodman!), but in this production, everything except for the music and voices, was indeed horrible.

I copied several images from the Lyric website to illustrate. I do not understand why they had to invent their own hieroglyphs instead of Egyptian, and why they had to cover the whole stage set with these images. I do not understand why they had to dress the male cast in these turn-of-the-previous-century uniforms.

The voices were beautiful. The music was great. But by the middle of it I chose to enjoy it with my eyes closed 🙂 .

Theatrical

Very briefly about my two cultural outings.

We saw Purpose At Steppenwolf with Igor a week ago. I didn’t like it that much. I was hoping I would like it a lot, but in the end, my impressions are inconclusive. The reason might sound ridiculous: I felt like “they talked too much.” But seriously, the play starts with a very long monologue of the main character, and there are multiple very long monologues closer to the end. And also, possibly because it was still a preview performance, many of them didn’t sound natural. All characters were perfectly recognizable, and I liked all the actors, but still, I didn’t get a feeling of play as one powerful piece, as I was hoping for.

Then, I went to see Peter Pan at Nederlander Theater on Thursday, and that was a pure joy! So well put together, the music, the set – everything, The flights are done so naturally, it’s so easy to believe :). Knowing a little bit about young actors and what it takes, I can only admire the work of the producers, especially having how big the roles are.

We went home with some magic dust 🙂

Penelopiad At Goodman

Yesterday, I went to see “Peelopiad,” a play by Margaret Atwood, at the Goodman Theater. I hadn’t been to any of Goodman’s plays for a while, and my experience with this theater during the previous two seasons was mixed. A couple of times, I felt like a total waste of time, and at some point, I regretted getting a “Whenever Goodman” subscription.

This time, however, was different. I liked each and every single thing about this play. Same as in “1776,” which I saw a couple of seasons ago on Broadway in Chicago, it’s all-female cast, and the same as with “1776,” after the first fifteen minutes of the show, you stop thinking about it. I copied all photos and videos that are available on the Goodman’s website, and I know they still do not give a full impression… All women playing male roles are incredible!

CSO and Forte

The only outing Boris and I had in Chicago this week was going to the CSO on Thursday (and going to dinner in Forte before that). It was really-really great (I mean the concert, but the dinner was also good :))

Jakub Hrusa really impressed me, and Gil Shaham was great as usual!

With a different conductor, but the same piece, the same orchestra, and the same Gil Shaham 🙂

When he was called for an anchor, he shared a story from the beginning of the pandemic, when composer Scott Wheeler wrote a piece about isolation, and sent it to him. Gil Shaham performed this piece for his anchor; it is called Isolation Rag :))

I captured this moment of Mr. Chen chatting with the youth during the intermission. He always gets engaged with the audience, and this time, I saw him signing the program for one of the teens, and later, I saw them passing us on the way to their seats showing the happiest smiles!

Titanic Exhibit

Last Sunday was a very special day for me – I had a reunion with my very special friend, with whom we hadn’t met in person since the start of the pandemic.

It was never easy for N. and I to meet even before that due to our insane work schedules and living far away from each other, but before the pandemic, we tried our best to meet once a month. Then, we had to isolate, and then life just took over.

I am infinitely happy and infinitely grateful to my friend for keeping our friendship alive through almost four years, and even more grateful that we had a chance to spend several hours together.

For our reunion, N. suggested we go to see the Titanic exhibit in Skokie, and I was happy to do that. The exhibit was totally worth it, presenting a wide range of historical facts, lots of artifacts, photographs presenting how life on Titanic looked like, and even a recreation of some ship’s cabins. I didn’t take that many photos, because I was absorbed in the experience, but I still ended up with a lot of them!

Continue reading “Titanic Exhibit” →

Chicago European Film Festival

This year’s festival is 1) hosted by Belgium 2) runs for a very short time 3) each movie is screened only once 4) I am in town for it, which usually I am in Europe at this time of the year!

I went to the opening night on Friday. I do not regret that I went, because the movie (Omen) was extraordinary, but I think it was a little bit too much on many levels. First, it is a very loaded movie, and very difficult to watch, and the trailer I embedded below does not include the darkest parts of it. Second, everything was way longer than I planned. The start of the screening was supposed to be at 7 PM but in reality, 7 PM was the time of the festival opening and the Belgium General Counsul speech. Also, the film director was present, and he talked a little bit before the movie, telling us what he wanted us to pay attention to. After the movie, there was a Q&A session, which was great, except for I didn’t plan to be there for so long, and after a very intensive week, I was almost collapsing on my way home.

I am still processing this movie. I think it represents the unresolvable conflict between those who left and those who stayed behind. And even though the film director urged us to see this story from four different perspectives (that’s how the movie is built, consisting of four separate parts), I do not see any way of all the characters coming together…

The Start of Women History Month

From February to March: on Wednesday, which was still February :), I went to the event which celebrated women who advocate for Equity, Diversity and Inclusion, hosted by Wintrust. I had never been inside this building, one of those that make the Chicago Financial District and embody the Gloden Era of our city, when the buildings were designed to ensure the customers that their savings are secure :). I love LaSalle Street, it’s silhouette, and each of it’s buildings!

Wintrust’s Grand Banking Hall in it’s glory
Women of Wintrust bracelet
The panelists’ bios
The panel

There was wine, cocktails, and bites, and some desserts at the end, and there was a lot of people! Mostly women, and many, like me, didn’t know a single person in the room, but everybody was happy to start a conversation.

The panelists were great, although I am starting to resent the idea that “women have to put their careers on pause to have children.” However, there was one thing which struck me most, because it echoed a conversation we had during the other panel two days earlier. Incredibly smart and gorgeous Tope Sadiku, who is of Nigerian origin but lived most of her life in the UK, mentioned how she rejected the offers to participate in any Black issues discussions, panels and committees, because she didn’t know the UK Black issues, and could not meaningfully contribute. The keyphrase was “I didn’t know I was Black until a came to the US.” At that moment, I recalled the question from one of the participants of our Black History Month panel at work. He asked our speaker whether, in his opinion, Black people or women are in more of a disadvantage at the workplace. I think that even if a workplace prejudgement might be close to equal, to hostility is proportionally on the side of race.