Tag: music

Helsinki Music Center

On Friday evening, we went to one more concert. Once again, it was in the Helsinki Music Center, which I first visited last time, and loved it. This time, it was Helsinki Philharmonic Orchestra. The concert was titled “I Want to Be Alive”, and that was the name of the piece which was performed after the intermission, and was composed by Daníel Bjarnason. OK, I know it sounds confusing, so let me say it again. Daníel Bjarnason was conducting, but the first part featured Wagner and Szymanowski, and in the second part, the orchestra performed the piece composed by Bjarnason, which was called “I Want to Be Alive.” And that’s also how the whole concert was called.

Once again, I love this venue!

Once again, sitting on the side when there is a soloist, is a bad idea. Boris said he remembered I said so, but he got the tickets on the side again, and it was a bad idea again/ The orchestra sounds great. The soloist when there is no orchestra, also sounds great. But not together. You have to face both the orchestra and the soloist to get a good sound.

And one more, completely unexpected! We saw Esa-Pekka Salonen in the foye!!! First I thought: no, it’s impossible; it’s just someone looking like him, because otherwise, there would be a big crowd around, and he is just talking with a couple of people. But later, when we passed by one more time, I realized that Finns were just being polite, because other people were turning their heads back after they passed this group :).

Below is some interesting art on display in the foye, and a sculpture in front of the Music Center.

An exhibit in the foye

… and yes, a million years ago, there was such a thing as an ice-cream after going to the movies, right?

A Piano Recital At The Fine Arts Building

I was there on Sunday, because my friend Y started to take piano lessons there, and she really wanted me to come, and I promised her I would.

To say I was impressed with her teacher is not enough. She works with such a diverse student body and has so much patience and love, and offers endless encouragement and support. And all this in that amazing building, where the walls speak of history and great artists of the past!

I deeply regretted that I couldn’t stay after the recital for a small reception, but that weekend, my time didn’t belong to me; I had way too many things to complete. Even today, I feel very bad that I had to leave, because this teacher is doing God’s work, and I should have told her that in person, not through my friend Y.

I will definitely come to the next recital, and I already told Y that she should stay with this teacher and never quit 🙂

I Knew It!

Honestly, when I saw this piece. in WBEZ newsletter, that’s what I wanted to scream: I knew it! I knew that Makela would love our Art Institute! And I love the concept of “music pairing.”

The story.

Continue reading “I Knew It!” →

Mäkelä Conducts Sibelius

On Thursday, I was at the CSO again, and it was another exceptional program. I am still in the process of familiarising myself with our new future Musical Director, but I am getting to know his style more and more.

During the first part of the Thursday concert, Mäkelä was conducting Sibelius’ Lemminkäinen, and the program book was full of the Helsinki pictures, so I overloaded my neighbor with extra information about the Sibelius Monument, Kelevala, kantele, Larin Paraske, and Akseli Gallen-Kallela (his Lemminkäinen’s Mother was in the program book). In short, lots of unsolicited information :). I think she barely survived :).

Mäkelä was fantastic (and also, as I said, I am slowly “growing into him.” I can’t find a recording of Mäkelä conducting Lemminkäinen, so here is the only one I found. I am sure I will have more opportunities to listen to Mäkelä conducting in the years to come, and hopefully I will be able to share more videos.

The CSO Concert

The CSO Concert on Thursday was one of the best I ever attended! It started with the composition “To See the Sky: an exegesis for orchestra,” by Joel Thompson.

Composer Joel Thompson credits the inspiration for his orchestral work To See the Sky to a single line from the song “Thunderclouds,” written by jazz vocalist Cécile McLorin Salvant: “Sometimes you have to look into a well to see the sky.” 

To See the Sky, which had its world premiere in March 2024 by the New York Philharmonic, under Jaap van Zweden, is Thompson’s longest orchestral work to date. “It gives an indication of his future music,” said Patrick Summers, artistic and music director of the Houston Grand Opera, where Thompson is composer-in-residence through 2027. “With no hyperbole, To See the Sky is music of extraordinary beauty and deep content. To hear an orchestra of such dazzling quality as the New York Philharmonic bring Joel’s imagination to full life was a very moving thrill.”

Commissioned by the American Composers Forum, Atlanta Symphony Orchestra, Aspen Music Festival and Bravo! Vail Music Festival, To See the Sky will be performed by the Chicago Symphony Orchestra, under Jaap van Zweden, in concerts Feb. 12-15. 

Thompson has said of his work: “The movements outline a non-linear journey toward healing.” “He has achieved this in every possible way,” said Summers in a video interview posted by Houston Grand Opera. “The listener’s emotional journey of To See the Sky is more than simply satisfying; it is cathartic and self-realization. Quite an achievement. 

“Primary among his many gifts is an ability to juxtapose several musical styles simultaneously, forming a melodic and colorful musical narrative that anyone can understand, but which also challenges virtuoso musicians like these,” Summers said. “To See the Sky was 20 minutes in length, and the musical material could easily have been twice that. One wanted it to last longer. Large-scale structures like opera are clearly in his DNA, based on a work like this. 

The composer himself was in the audience and came up on stage!

And next was an absolutely stunning performance of Himari, a fourteen-year-old prodigy, and I don’t know what to say, because no words can describe her! Fortunately, I just found on YouTube the Max Bruch concert she was performing on Thursday, an

I completely agree with one of the comments on YouTube: There are violin prodigies then there is Himari.

I can’t believe I was there, in the first row, experiencing her magic!

Music in Helsinki

Wednesday was my first working day in Helsinki, but after work, we went to a proper concert. Helsinki Philharmonic Orchestra performed Elgar’s Violin Concerto (“the longest violin concerto”:)), and the Beethoven Fifth (and the whole concert was called “The Sound of Fate”. The soloist was Christian Tetzlaff, whom I heard a number of times at the CSO, and who is absolutely brilliant. He canceled his CSO appearance in October due to visa issues/in protest. Not sure which one is true, I heard both versions, but in any case, I was delighted to hear him again.

Also, that was the first time I attended a concert in the Helsinki House of Music, and I had an opportunity to experience this outstanding venue!

The coolest organ I’ve seen in my life!

Beautiful sound and great view from any seat, easy entrance and exit, fast service at the cafe and at the coat check – everything about this venue is perfect 🙂

More Cultural Events This Week

My subscriptions keep me busy :). My neighbor and I went to the “Hell’s Kitchen,” which was a part of our Broadway in Chicago subscription. I never read any reviews before I go to see the show, and this time was not exception. I was not prepared to what I was going to see, but loved it. As it turned out, the reviews were mixed, so it’s good that I didn’t read them beforehand:).

I loved the show itself, but even more, I loved the reaction of the audience: everyone was so moved by what was going on on stage, aaahed and ooohed, and gasped when the mother slapped her daughter in the cheek, and burst into applauding after each musical number.

And on Friday, I went to Carmina Burana at the Lyric. That was a part of our Lyric subscription, but my neighbor told me from the very beginning that she won’t be interested, so I took my friend Y. with me. She loves music, but she never heard Carmina Burana, and it was a real treat to give her this experience. Also, she never sat that close to the stage in the Lyric Opera building, and she said that she would rather get one ticket that close instead of ten tickets on the very top. And I agree!

Bach Messa In Si Minor At Toumiokirkko

I am so glad we went to this concert! Boris was doubtful whether we should go, and with it’s been raining non-stop, it was very tempting to saty at home hybernating. I am so glad I changed my made and made an executive decision to get us tickets!

After the concert, when I was energized beyond the level any espresso drink can deliver, Boris told me he underestimated how new this experiense would be for me. And actually, I do not think I ever heard Bach in a church, believe it or not! The boys choir is absolutely out of this world! (That’s a different music, but I just can’t get over them!)

And on the way home back from the concert I saw that Helsinki is being decorated for Christmas – not the full regalia, but getting there, and I hope to catch a glimpse of it tonight!

A Concert At Kirkkonummi

Boris is a “lifetime supporter” of FIBO – Finnish Baroque Orchestra, so he receives all their advertisements and often attends their concerts. The concert last Monday was at St. Michael’s Church in Kirkkonummi, where one of my Finnish friends lives. It’s always a little bit of a project to meet with her in person, precisely because she lives at a distance from Helsinki, so when Boris saw this concert announcement, he suggested we could meet up there and attend the concert together.

I am really glad we did. The church looks amazing. The oldest parts of it date back to the 13th century. Unfortunately, all of the inside was destroyed during the Soviet occupation, but the space with its outstanding acoustics is still there.

Of course, I am not a specialist in baroque music, so all six composers were unknown to me (Boris knew at least two), but the most astonishing thing I learned was that there were women composers in the 17th century, and not only nuns, and their music and their authorship actually survived through centuries. I feel so inadequate not knowing about that!

The two women composers I learned about were Isabella Leonarda and Antonia Bembo.

Isabella Leonarda
Antonia Bembo

Isabella Leonarda spent all her adult life in a convent, but Antonia Bembo was a singer and a noble person, and I was like: why didn’t I know anything about that?!

Art Institute And CSO

On Thursday, I had a very packed after-work schedule. First, I went to the Art Institute to finally see the Strange Realities exhibit. Usually, I am among the first to see a new exhibit, but this time, I have something going on each Thursday, and I didn’t have time to make a separate trip to the Loop on any weekend.

Upon entering the exhibit, I realized that symbolism as an art movement had completely dropped from my radar many years ago. In high school, we studied symbolism in literature, including Alexander Blok and Andrei Bely. We “obligatory loved” Balmont, Annensky, and other poets of the “Silver Century” of Russian poetry. I just tried to find (unsuccessfully) a blog post where I wrote about how an “intelligent person” in Soviet Russia was supposed to admire certain poets and writers, who were not explicitly banned, but were not praised by the official propaganda; loving symbolists was one of those “requirements.”

Now I realized that for many years, it was not obligatory anymore, and this artistic movement dropped from my sight, and it took me a while to realize: yea, I know what it is all about!

Kupka: The Fools
Ensor: The Entry of Christ into Brussels
Hans Thoma: The Dream
Felicent Rops: The Greates Love of Don Juan
Alfred Kubin: Judith with the Head of Holofernes
Grasset: Morthin Addict

I think I will go see this exhibit again; I didn’t have enough time because I also wanted to catch up on the Elizabeth Catlett exhibit (I saw it as a “second one” when we were at the Art Institute with Boris in August, and it was not enough).

Next stop was the CSO. A week before, they advertised the pickup dinners at the Rotunda. I think it was in response to the disappearance of the affordable “before the show” dining options, which I also complained about. So I tried it, and the answer is no :). I would rather stop at Lea!

As for the concert, it was absolutely amazing! It was an all-Berlioz program with Klaus Makela conducting, and now I have finally started to like him. I won’t say I disliked him when I heard him conducting for the first couple of times, but he is so different from Riccardo Muti that it was a difficult switch! This time, I sat with my mouth open throughout the whole concert 🙂

Oh, and the violist Antoine Tamestit was absolutely outstanding!!! Loved every moment of his performance in the Harold in Italy.