Tag: movies

The Art Of The Benshi In Siskel

OMG, what I’ve just experienced! I am so glad that I had this opportunity! The Siskel Film Center hosted the Art of Benshi world tour; there were only two performances in Chicago (and the program was different on both days). Somehow, I managed not to miss an email when they announced these performances and got tickets for Igor and myself (and both shows were sold out!).
I never knew about benshi! You know how, at the dawn of cinematography, there was a pianist (or even a small orchestra) playing during silent movies? Well, in Japan, they not only had an orchestra but also a narrator, who gave a whole dramatic performance following the actions on the screen. That is the art of benshi, and that’s what we have experienced today!
I suspect even my Japanese friend will be jealous when she sees today’s program! And since I am afraid it will be removed from the Siskel Center website very soon, I am copy-pasting the program description here.

SANJI GOTO—THE JAPANESE ENOCH ARDEN (NARIKIN)
1918, dirs. Harry Williams, Kisaburo Kurihara
Japan, 35 min. 
Silent / Format: Digital 
Billed as the “the first ever Japanese production of its kind,” SANJI GOTO holds a fascinating place in international film history. After training as an actor with Thomas Ince, director Kisaburo “Thomas” Kurihara returned to Japan to make films to export to the US beginning with this slapstick comedy. Iwajiro Nakajima, “the Japanese Charlie Chaplin,” stars as a guileless janitor who journeys to the States on the chance of inheriting a fortune. Sadly, the film survives only as a fragment. Exhibition materials courtesy of the National Film Archive of Japan. Performed by Hideyuki Yamashiro. 

JIRAIYA THE HERO (GÔKETSU JIRAIYA)
1921, dir. Shozo Makino
Japan, 21 min. 
Silent, intertitles in Japanese with English subtitles / Format: Digital
The first star of the Japanese screen, Matsunosuke Onoe plays the title character, a shape-shifting ninja who battles his enemies with an arsenal of magic, which includes transforming himself into a giant toad. Based on a famous folktale, JIRAIYA THE HERO was one of Japan’s earliest “trick films” and survives today as a fragment featuring a series of loosely connected fight scenes. Exhibition materials courtesy of the National Film Archive of Japan. Performed by Ichiro Kataoka, Kumiko Omori, and Hideyuki Yamashiro. 

OUR PET
1924, dir. Herman C. Raymaker
USA, 11 min. 
Silent, intertitles in Japanese with English subtitles / Format: Digital 
Diana Serra Cary, better known by her screen name Baby Peggy, was only 19 months old when director Fred Fishback cast her in a series of comedy shorts in 1921 alongside Brownie the Wonder Dog. By the following year, she was one of the biggest child stars in the world. In OUR PET, discovered at auction in 2016 by master benshi Ichiro Kataoka, Peggy is awakened from sleep by a series of burglars who quickly find themselves in over their heads, Home Alone–style. Performed by Kumiko Omori. 

A PAGE OF MADNESS (KURUTTA IPPEIJI)
1926, dir. Teinosuke Kinugasa
Japan, 70 min. 
Silent, intertitles in Japanese with English subtitles / Format: Digital 
With a scenario devised by Japanese novelist (and later Nobel Prize winner) Yasunari Kawabata with contributions from other members of the radical literary movement known as Shinkankakuha, director Teinosuke Kinugasa crafted this visionary masterpiece that was thought lost for almost 50 years. Wracked with guilt, believing his wanton cruelty drove his wife insane, a husband becomes a janitor at the asylum where she’s incarcerated so he can care for her. When he comes to fear her illness may prevent their daughter from getting married, he gradually loses his own grip on reality. Replete with fantastical images, super impositions, and rapid montage, the film subverts any sense of narrative coherence even as Kinugasa builds, according to critic Chris Fujiwara, “an atmosphere of astonishing intensity.” Performed by Ichiro Kataoka. 

The first free films are amazing, but the last one, “A Page of Madness,” was beyond amazing! I still can’t believe that it was filmed a hundred years ago! It’s of a Tarkovsky level, if not above! I am speechless! And very thankful 🙂

Chicago European Film Festival

This year’s festival is 1) hosted by Belgium 2) runs for a very short time 3) each movie is screened only once 4) I am in town for it, which usually I am in Europe at this time of the year!

I went to the opening night on Friday. I do not regret that I went, because the movie (Omen) was extraordinary, but I think it was a little bit too much on many levels. First, it is a very loaded movie, and very difficult to watch, and the trailer I embedded below does not include the darkest parts of it. Second, everything was way longer than I planned. The start of the screening was supposed to be at 7 PM but in reality, 7 PM was the time of the festival opening and the Belgium General Counsul speech. Also, the film director was present, and he talked a little bit before the movie, telling us what he wanted us to pay attention to. After the movie, there was a Q&A session, which was great, except for I didn’t plan to be there for so long, and after a very intensive week, I was almost collapsing on my way home.

I am still processing this movie. I think it represents the unresolvable conflict between those who left and those who stayed behind. And even though the film director urged us to see this story from four different perspectives (that’s how the movie is built, consisting of four separate parts), I do not see any way of all the characters coming together…

Nostalghia

The Siskel Film Center started the screening of the newly restored Andrei Tarkovsky’s Nostalghia, and I decided to go. I tried to watch Nostalgia twice before, and both times, I didn’t have enough patience, so I decided that watching it in the movie theater would pin me to my seat for these 2+ hours.

I love most of Tarkovsky’s movies, and I like the ones I do not love, so I thought that I was missing something with Nostalghia. Now I watched it to the end, and although I appreciate the artistic work, it’s probably the first of Tarkovsky’s movies I didn’t like. Most likely, it’s about me, not about Tarkovsky, but now I am thinking whether it’s time for me to watch again the ones I loved for many years.

I know one thing that changed in me: I am not interested in lengthy discussions about personal relationships, like who thought what and who did what because of what they thought. I am now realizing that it’s the bulk of classic literature and movies :), but I hope that there is still something out for me!

I Finally Watched Barbie

A friend asked me whether I watched it and said that she didn’t like it, so I finally made an effort to watch it (rented it on Amazon and watched it in parallel with some boring home activities). And I didn’t like it, exactly for the same reason as my friend didn’t like it: It’s an extremely important topic, and the movie had great potential which, in my opinion, was not fully realized. Yes, there are some excellent dialogues and monologues, but in my opinion, they do not blend into the movie fabric, and the whole movie is losing its point. Maybe I got it wrong, but for me, it sounded like women should not be discriminated against. Instead, men should be discriminated against and removed from everywhere.

There is definitely a problem statement in the movie, and lots of important questions are raised, but then nothing happens.

I take it as a positive thing that at least it raised awareness and prompted many people (of all genders) to speak up. So far, conversations seem to be productive, and we’ll see what will change.

Dr.Strangelove

I watched this movie based on a recommendation from a blog I follow.

Wow. Now I wonder why I never heard about this movie before, especially if it was so highly rated not only at the time it was made but years later … I guess, It’s one of these “people never learn” things. I am glad I watched it, but I find it difficult to write something meaningful about it. I just grabbed the Kindle book which this movie is based.

When I related my impressions to Boris earlier today, he said that it might have been filmed as a follow-up of the Caribean Crisis, but as I found out, the book was written earlier. I might write more after I read it!

“In The Rear View” Documentary

Chicago International Film Festival is in progress, and I had absolutely no time to see anything. Except for when I saw that documentary in the list of participating films, I knew I would find a non-existent time.

It was not even in the Siskel Center, but fortunately, on my way from work to home (I had to leave about an hour earlier to make it, but there were only two screenings of this film!).

It’s an unimaginably difficult film to watch. Even though there is no fighting, no shooting, no explosions, and even though we’ve seen footage of buildings damaged by Russian shells, you feel it differently watching from inside an evacuation minibus. Most of the people whom Maciek was evacuating were Russian speakers, and it was especially horrible to hear them referring to the “Russian tanks” as enemy tanks. About twenty minutes into the documentary, I started to cross my heart and didn’t stop till the end.

Maciek Hamela was there! The funniest thing is that he entered the building right before me, and like I, he was a little bit uncertain about where theater 13 was, where the screening was about to take place. And I heard him talking in Polish on the phone, and I thought that he might be going to the same screening, but I could never imagine it was a filmmaker!
He talked a little bit before the screening and after (he answered many of the same questions in the interview below), and then he answered questions from the audience. And then people started to thank him and started to come down and hug him, and then I left.
May those who brought this war to the land of Ukraine burn in hell!

Official trailer

An interview with Maciek Hamela:

“Our Body” Documentary

I am just out of the screening of this movie. I really wanted to see it, and it was very difficult to fit it into my schedule (it’s three hours long!) The only way of doing it was to rush there directly from the train from Milauwakee, which I did. It’s not what I thought it would be, way more difficult to watch than I thought, and way more powerful.

I am not even sure what my takeaways are, except for “It’s hard to be a woman.” It’s almost unbearable to watch at some moments (I could not look at the screen for at least a quarter of the duration of the movie).

And another surprising fact: while following all these women at the most difficult moments of their lives and thinking about what I, as a woman, was through, I felt jealous: I was never treated with such respect by the doctors as these women were. I might have experienced only a small portion of all the physical suffering these women were through, but the humiliation and disrespect I had to live through were unimaginable. I am so glad that my daughter didn’t have to go through it, and my granddaughters won’t even know how bad it could be.

The Fablemans

Oh, how much I loved this movie! I am so glad I made a non-existent time in my schedule to watch it! Once again, thanks for 400 Theater being so close to us and running all the new releases. Funny thing – for the first time ever, I used a senior discount:).

I just can’t get over it – what a great movie! I liked everything about it!

She Said Movie

I finally watched “She said” over the weekend. I knew it was a great movie and wanted to watch it for a while, but somehow, finding a place online to watch it was challenging! It is not available on Amazon, and it was not on Hulu (I do not use Hulu, but while searching for a place to watch, I decided to accept a free month of Hulu, which they sent to me for my birthday). I finally found it on Apple TV (yes, I also accepted three months free of Apple TV, it came with my new iPhone, and I am going to drop it because I do not use it!)

So, I finally watched it. What a great movie! I do not want to write at length about it, it just checks all the marks. Watching it, I could not stop thinking about how deeply sexual harassment is enrooted in all aspects of our life. I recall my teenage and young adult days, and even later – I can’t believe to which extent it was expected! We never thought about complaining, it was just a force of nature you had to consider. I realized one small but rather astonishing fact while watching – we never thought kissing against somebodies would be abuse! You were not raped, what you are complaining about?!

The movie emphasized one more time the power of numbers and the importance of everybody coming together and raising their voices against whatever evil we want to fight.

The Great Dictator

A note from the Siskel Center said:

After a remarkable twenty-year tenure, Gene Siskel Film Center Executive Director Jean de St. Aubin will resign in February. Join us in celebrating Jean’s impact and leadership, as we toast to her next chapter and celebrate her love of the movies with one of her favorite films, THE GREAT DICTATOR (this title, by the way, is in no way a reflection on Jean’s own leadership style!). Film followed by a post-screening reception with champagne, pretzels (her fave), and more. All ticket proceeds benefit the Film Center.

To be completely honest, I was more interested in the movie than in the reception :). I never saw the whole movie, not to mention on a big screen! Amazing! I knew about this movie, the plot, and when it was filmed, but even the excerpts I saw do not give enough impression of how awesome it is! It is hard to believe that it was filmed in 1940 when the US was’t even at was with Germany.

https://youtu.be/4sfJxdytYn4