Once again, I didn’t know anything about this artist, so I saved some notes from the exhibit:
Boris Grigoriev is one of those artists who, despite the omnipresent search for new forms of avant-garde expression in the contemporary Eastern European art centers of Moscow and St. Petersburg, stuck to figuration and the classical genres. A brilliant draftsman, he initially worked as an illustrator for magazines and made a name for himself as a recognized portraitist of well-known personalities. Self-Portrait with a Cigarette is one of these powerfully expressive portraits.
Grigoriev’s portraits thrive on a direct confrontation with the sitter and the exaggeration of gestures and facial features, as well as the expression of an emotion that captivates the viewer. In this sell-portrait Grigorier presents himself in a defensive posture: the raised shoulder and the skeptical, grim gaze suggest a defensive aloofness; in addition, the figure is viewed from below, by which the artist elevates himself while subordinating the viewer it is through such powerful means that Grigorier lends this traditional genre o modernity that a comparable and roughly contemporaneous with the visoalizations of Expressionism and New Objectivity. Not lost because of the criticism of his “European style,” the artist left Russia in 1919 and settled in Paris in 1921







