I didn’t really get this play. I chose to go because I haven’t been to Steppenwolf for a while, and they had discounted tickets for the Chicago Theater Week, and also, I wanted to take my friend Y to a show. When we talked about it, I didn’t know that I would have a work crisis! There was supposed to be nothing going on this weekend, and I asked her which show she would rather see at the Goodman or at the Steppenwolf, and she chose that one. The description looked interesting, and I didn’t know the play, so I readily agreed.
In the high stone tower of an isolated naval fortress, Alice and Edgar are about to celebrate 25 years of wedded bliss—if decades of resentment, recrimination and mutual sabotage count as bliss. But when an alluring visitor arrives, the delicate balance of their tedious arrangement falls off its axis, cracks growing into canyons. In Conor McPherson’s wicked take on Strindberg’s masterclass in marital warfare, a twisted love triangle waltzes off the edge of a cliff, plunging us all into the deep.
The play was written in 1900, which I didn’t realize before I came to the show, and that probably explains why “I didn’t get it.” For example, it was challenging to figure out the nature of the relationships between Alice and Kurt and the “vampire kiss.” When I read more about the play, I got an impression that it was a “symbol” of something. I think it was all about symbolism, and as I have recently realized, I do not understand it or like it.
One thing is for sure – the acting was superb. Even when you can’t make any sense of the plot, the acting is incredibly believable. My friend enjoyed it just because of that, and texted me later that it was a great experience, but to be entirely honest, I think she was just happy to see me :).








