Daylight Time Change After a Sleepless Night

I had an overnight flight from LA, and it was also a day of switching to DST, which resulted in a 3-hour time change. With the flight lasting less than four hours, I slept so little that my Apple watch didn’t even scream at me, but made a sad face: bad nights happen!

Also, I didn’t realize that the CTA was doing something on the Red Line Lake station, so when I exited the Blue Line at Washington, and walked to the Red Line, I found everything closed and a CTA worker explaining to me that I needed to return to the Blue Line exit, get out to the street and walk to Wabash where the Red Line was rerouted for a day. And if I knew, I could just get off at the previous stop and transfer! Another 30 min without breakfast 😂

Finally, I got home, ate breakfast at 9:30 AM, started laundry, talked to Boris, visited my Mom, and went for a short bike ride. Yea, I know!!! But that was not it!

I had a ticket to the Drowsy Chaperone at Theo that night, and I was going to go there with my friend MaryAnn, so there was no question of not going.

Don’t take me wrong, I liked the show, it was something very unexpected, and very well done, but MaryAnn was crazy about the show, and kept telling me how much she liked it. And I was happy that she was happy 🙂

Unfortunately (and as always!), they do not have any pictures and videos from the show yet, because it was just a preview weekend, but I will update this post later!

The Day Iceland Stood Still

There was a free screening for the Gene Siskel Center members of this incredible movie, The Day Iceland Stood Still. I was in yet another work emergency, and would opt to skip if I didn’t have prior plans to go with a friend.

This documentary is so timely in many ways! It is yet another proof that everyone has to fight for their right, and that a good fight pays off :). Looking at Iceland nowadays, youwould never imagine that it was lagging in women’s rights until fairly recently! And what beautiful people all these women are! It was such a delight to listen to them share the memories of this day fifty years ago!

A documentary about women, made by women, and a message to all of us!

Vlad In Chicago

Vlad made a surprise visit to Chicago, and immediately, Illinois and all neighboring states knew! My weekend ended up being completely upside down, but it also presented an opportunity to take a picture with all my children, which hadn’t happened for more than two years.

Vlad was doing a pop up in the Lilac Tiger bar:

I asked Vlad to make minis for me, so that I could try more than one 🙂

Also, I asked him to visit my mom, which he did on Saturday. I went there with him because, at this point, my mom needed an interpreter. We had not more than twenty minutes one-on-one, but overall, visiting my mom with Vlad, and coming to his event today, significantly altered my plans, and I have no idea how and when I will catch up with the rest of my life. And no, I am not complaining 🙂

Joffrey: American Icons

Yesterday, my neighobor and I attended yet another amazing Joffrey ballet performance. The “American Icons” showcases the works by several choreographers who contributed to Joffrey ballet through the seventy years of it’s existance.

Here is what Sun-Times wrote about this program:

The Joffrey Ballet’s early years have been enshrined in American legend, as the small troupe toured the country in a station wagon full of entrepreneurial postwar spirit and youthful enthusiasm.

Founded in 1956 by Robert Joffrey, son of a Pashtun father and an Italian mother, and second-generation Italian immigrant Gerald Arpino, the 70-year-old company continues to draw exceptional dancers from around the world to Chicago.

The Joffrey is, quintessentially, a company of immigrants in an American city powered by immigration.

The Joffrey’s “American Icons” program, running through March 1 at the Lyric, is, appropriately, a melting pot, too. Showcasing work by Joffrey and Arpino, plus dances by founding company dancer Glen Tetley and iconic modern choreographer Martha Graham, the evening’s collection evokes Old Vienna, Ancient Greece, Belle Époque Paris and the Catholic Church.

Collectively, the works communicate a modern American perspective on the Old World, and they represent an essential Americanness even while expressing the statelessness of dance.

I throughtly enjoyed avery moment of this performance, and at some point in the middle of it I realized that I have been smiling all the time. Each movement was impecable. The pictures can convey only that much of the beauty…

And the only photo taken by me:

CSO Backstage Tour

Since last year, I purchased two tickets for a Millennium Park concert, which was considered a fundraiser, I officially became a “CSO donor” (I think, my subscription is not expensive enough to qualify). With that, I started to receive some exclusive invitations. I know that invitations to the open rehearsals are issued to all subscribers, but I believe that for a backstage tour invitation, you need a higher level. Or maybe they just started to offer them. Whatever the case, this season was the first time I started receiving these invites, and I was sad I couldn’t choose any tour time that worked for me. Finally, a couple of weeks ago, I spotted one time that could work and still had openings (it was a last-minute addition). The time loosely corresponded to my lunch break :). I immediately grabbed two tickets and told my neighbor about this opportunity.

Unfortunately, I couldn’t stay for the whole tour, because it ended up being longer than one hour (as it was advertised). But funny enough, the last and the best part of the tour – the backstage – was less important for me because I saw it as a part of the CSO for Kids Ambassador tour with Nadia, so it was OK; I just felt bad that I had to ask an usher to escort me out.

The curator who led the tour was exceptionally knowledgeable, and she told us all about the history of the building and the orchestra. I knew some pieces of it: how Theodor Tomas agreed to move to Chicago in 1890 for the promise to have a permanent orchestra (“I will move to hell for that!”). How the orchestra first performed in the Auditorium, and how Daniel Burnham volunteered to design the new orchestra’s home.

I didn’t know that Theodor Thomas specifically wanted to have a ballroom in the building for more intimate gatherings, and that it’s because of him we have Grainger Ballroom.

The Rotunda was a later addition, similar to the Arcade, and was built to house the CSO offices, the libarary and the archive
Another thing we learnde on the tour: the first female member joined the orchestra in 1940, and out of all instruments you would imagine, she played a French horn!
I didn’t know that the ceiling can be moved up and down to create a different effect, depending on who is on stage (the full orchestra, the Chamber orchestra, or a soloist)

Backstage:

The harpsichord (I remember seeing Melody Lord playing it)

As I said, I didn’t take a lot of pictures backstage because I took them on a previous tour. My friend messaged me later that it was a very special experience, and she loved it. She was able to sty till the end, and I had to run back to work!

Orchids 2026. Part 2

You might not believe it, but Lena and I agreed that this year, there were fewer orchids on display, and fewer interesting compositions. Still, there was a lot to see!

A couple of pictures of us (myself, my mom, and Lena).

Continue reading “Orchids 2026. Part 2”

Orchids 2026. Part 1

I always find it difficult to put all the Orchid Show pictures in one post. It always feels overwhelming, although I am sure most of my readers will just glance through them. Still, I am trying to share the beauty.

This year’s theme of the Orchid Show was the 70s – mostly the music, but also the culture and aesthetics in general.

Continue reading “Orchids 2026. Part 1”

More Pictures From The Rally

(from the Instagram of my favorite Chicago photographer)

Lena is on the second photo (and I am not, although I was right by her).

Support Ukraine Rally

This weekend, my best friend Lena from Ann Arbor came for her annual “Orchid Show visit.” Now, this visit has another, somber meaning. Although the show runs from the beginning of February to the end of March, we try to plan Lena’s visit so we can attend the rally in support of Ukraine, marking the dark anniversary of the full-scale invasion.

Igor was there before us, in a better position and with a better camera, so the pictures are mostly his. Also, I will come back to this post to fill in the names of the speakers, because I am not 100% sure of most of them.

One thing I noticed is that over these four years, everyone learned to say “Slava Ukraine!” without an accent. And the Lithuanian Consul General gave the entire introductory part in Ukrainian, which caused uproar from the crowd. As always, I was happy to see Dick Durbin, a great supporter of Ukraine (and I learned that his ancestors were from Lithuania!)

Pre-rally: Senator Durbin talking to the Iranian activists
Pre-rally

The rally started with the USA and Ukrainian Anthems.

Senator Durbin took the stage and told the crowd that there is support for Ukraine on both sides of the aisle, and that he will keep fighting.

Mariya Dmytriv-Kapeniak
Dick Durbin
‘The only fight we can’t win is the one we do not fight!”
Consul General of Lithuania Reginmantas Jablonskas

It was cold, but we stayed there for an hour and a half, and the whole time I was thinking about our visit to Vilnius in March 2022 and how there were Ukrainian refugees everywhere. We could not imagine back then how long the full-scale war would last, and we hoped for a quick victory for Ukraine. I know that we need to focus on our fight at home, because our victory at home will benefit the rest of the world, but I still feel that I am not doing enough to support Ukraine. Not talking enough about the war, and letting people to forget.

Last week, Boris asked me whether people around me know how often Kyiv is shelled. I told him: oh, I know! And he asked, “What about the others around you?” Again, I understand that out atmost focus is here and now, but still…

Mäkelä Conducts Sibelius

On Thursday, I was at the CSO again, and it was another exceptional program. I am still in the process of familiarising myself with our new future Musical Director, but I am getting to know his style more and more.

During the first part of the Thursday concert, Mäkelä was conducting Sibelius’ Lemminkäinen, and the program book was full of the Helsinki pictures, so I overloaded my neighbor with extra information about the Sibelius Monument, Kelevala, kantele, Larin Paraske, and Akseli Gallen-Kallela (his Lemminkäinen’s Mother was in the program book). In short, lots of unsolicited information :). I think she barely survived :).

Mäkelä was fantastic (and also, as I said, I am slowly “growing into him.” I can’t find a recording of Mäkelä conducting Lemminkäinen, so here is the only one I found. I am sure I will have more opportunities to listen to Mäkelä conducting in the years to come, and hopefully I will be able to share more videos.