CSO Backstage Tour

events, everyday life 2 Minutes

Since last year, I purchased two tickets for a Millennium Park concert, which was considered a fundraiser, I officially became a “CSO donor” (I think, my subscription is not expensive enough to qualify). With that, I started to receive some exclusive invitations. I know that invitations to the open rehearsals are issued to all subscribers, but I believe that for a backstage tour invitation, you need a higher level. Or maybe they just started to offer them. Whatever the case, this season was the first time I started receiving these invites, and I was sad I couldn’t choose any tour time that worked for me. Finally, a couple of weeks ago, I spotted one time that could work and still had openings (it was a last-minute addition). The time loosely corresponded to my lunch break :). I immediately grabbed two tickets and told my neighbor about this opportunity.

Unfortunately, I couldn’t stay for the whole tour, because it ended up being longer than one hour (as it was advertised). But funny enough, the last and the best part of the tour – the backstage – was less important for me because I saw it as a part of the CSO for Kids Ambassador tour with Nadia, so it was OK; I just felt bad that I had to ask an usher to escort me out.

The curator who led the tour was exceptionally knowledgeable, and she told us all about the history of the building and the orchestra. I knew some pieces of it: how Theodor Tomas agreed to move to Chicago in 1890 for the promise to have a permanent orchestra (“I will move to hell for that!”). How the orchestra first performed in the Auditorium, and how Daniel Burnham volunteered to design the new orchestra’s home.

I didn’t know that Theodor Thomas specifically wanted to have a ballroom in the building for more intimate gatherings, and that it’s because of him we have Grainger Ballroom.

The Rotunda was a later addition, similar to the Arcade, and was built to house the CSO offices, the libarary and the archive
Another thing we learnde on the tour: the first female member joined the orchestra in 1940, and out of all instruments you would imagine, she played a French horn!
I didn’t know that the ceiling can be moved up and down to create a different effect, depending on who is on stage (the full orchestra, the Chamber orchestra, or a soloist)

Backstage:

The harpsichord (I remember seeing Melody Lord playing it)

As I said, I didn’t take a lot of pictures backstage because I took them on a previous tour. My friend messaged me later that it was a very special experience, and she loved it. She was able to sty till the end, and I had to run back to work!

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Published by Hettie D.

My name is Henrietta (Hettie) Dombrovskaya. I was born in Saint-Petersburg, Russian (actually, back then – Leningrad, USSR) in 1963, and immigrated to the United States in 1996. I love Saint Petersburg, the city I was born and raised in, and I think it’s one of the most beautiful places in the world. Similarly (but differently) I love Chicago, and can’t imagine myself moving somewhere else in the observable future. I have three children, Igor, Vlad and Anna, all adults living on their own, and one (so far) granddaughter Nadia. I also believe that my children are the best thing that happened in my life. As for my professional life, I am working in the field of Information Technologies. When I was twenty, I’ve declared that the databases are the coolest thing invented and that I want to do them for the rest of my life. Thirty plus years later, I still believe it’s true, and still, believe that the databases are the best. These two statements together imply that I think a person can have it all, and indeed, I think so! Keep reading my journals to find out how I did it.

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