Salome

I don’t know what happened with me, how I could be such an idiot! I already missed “Salome” once, when I had some urgent work right after I returned from Helsinki. When I realized I would miss another opera while I am in Helsinki next time, I decided to exchange my ticket for the last performance of Salome, especially because my neighbor was raving about it!

I can’t explain why I was so strongly under the impression that it would take me an hour to get from my home to the Lyric Opera on Saturday night. I mean, yes, it’s an hour door-to-door, excluding wait time and any delays, but one shouldn’t rush into the Opera House just as the show is about to start. I had no objective reasons not to leave earlier, but somehow, in the very moment I was walking out the door at 6:32, I realized what a big mistake I had made!

The train slowly pulled in, then stopped right before Jarvis, and the lights went off, and I tried not to think about the worst possible delays I might face. I knew that Salome runs with no intermission, so if I were late, that would be it.

The show start time was 7:30, and at 7:21, I was still on the train, departing Grand, which meant one more stop, an escalator up, and running for several blocks, and I thought – no chances, but miraculously, at 7:31, I was entering the Opera House, and the ushers were waving me in saying that the doors will be closing soon.

I could not believe my luck! My seat was in the second row, all the way on the right, so I didn’t have to ask people to get up. However, a gentleman who placed his coat on a free seat by him was not happy :). He started to explain to me how strictly the Lyric observes the start time, and how I should know…

Anyway, I made it! And the show was breathtaking … It is staged in the pre-WWII fascist Italy, so all libretto references of “arguing Jews” take all new meaning, as well as the story itself… Only when I was on my way home did I realize that no one in the audience clapped during the performance itself – that’s how everyone was captivated with what was going on stage.

One thought on “Salome

  1. OMG! What a horror story with a happy ending! I literally couldn’t breathe while reading it, but it was short!

    Metra!!! 6.25 at your station, 6.50 at O’Gilvie! Risky for the 7 pm performances, perfect for 7.30!

    But of course you know about Metra:)

    The Lyric opera is not that strict about the starting time as they used to be. Before Covid the usher tried to close the door in front of me at 6.29, it was a very long Opera, Wagner, scheduled at 6.30. He said I was late! At 6.29! I rushed through and heard myself yelling “No! No! You are not doing this to me!!!”

    I ran all the way from work, also from State and Lake, like you, asked my colleague to cover the last 10 minutes of my class, ate on the run, made it at 6.29! How dared this usher to stop me?!?!

    This season I was surprised that the doors are still open at 7.02 or even at 7.03 at midweek performances. But I think it is a good thing. You made it!
    Congratulations!

    Like

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