Ateneum

I am back in Chicago, and 200% of the time, I am busy, as anybody can figure out from my silence here. The previous post was drafted during my flight back and was not published because the in-flight internet connection went down in the middle of the flight, and I didn’t have time after that :). Still, I wanted to write a little bit more about what I saw in Helsinki.

Whenever I come to Helsinki, I immediately feel “everything is fine, and ok, and life is normal and orderly.” I know that my Finnish friends disagree with me, but we have different reference points :). This time, I worked every day, so it was not that much time to do something else. The only fun thing I’ve done was an outing with my friend Natasha: we went to the Ateneum Museum, which recently reopened after a major reconstruction.

The exhibit we saw is called Gothic Modern, and it explores the influence of Medieval art on 20th-century modern art. Each room is dedicated to one of the themes common to both historical periods: religion, life, death, sexuality, violence, etc. I didn’t know most of the Finnish artists who were part of this exhibit, and I even purchased an exhibit catalog with the hope of reading more! At some point, I stopped taking pictures because I realized I wouldn’t be able to remember what exactly had drawn my attention.

Munch
Max Klinger. On the Rails
Sasha Schneider. Feeling of Dependency

Getting back to the existing worries about the state of the economy and life instability. I would not say that the worries are unjustified. However, even now, even with all the economic uncertainties, I appreciate the virtual non-existence of homelessness, the accessibility of healthcare (yes, I know, but again – we have different baselines), and the fact that the buses run on schedule:))

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